10 SEPTEMBER 18-24, 2025 westword.com WESTWORD | MUSIC | CAFE | CULTURE | NIGHT+DAY | NEWS | LETTERS | CONTENTS | Creative Outlet ACCESS GALLERY IS CELEBRATING TWENTY YEARS IN DENVER’S ART DISTRICT ON SANTA FE. BY KRISTEN FIORE When Access Gallery moved to Santa Fe Drive twenty years ago, executive director Damon McLeese remembers the area be- ing a little seedy. But even then, he knew that Denver’s Art District on Santa Fe was the right fi t for Access, which serves artists with disabilities. Access was actually founded in 1978 as an organization in the Colorado Springs School District, working in school-based programming. In 1980, it affi liated with the Kennedy Center — Eunice Kennedy Shriver had founded the Special Olympics and Jean Kennedy Smith started Very Special Arts — and moved to Denver. When McLeese came on board in 1997, Access didn’t have a gallery or even many projects. “A lot of our work then was getting money to school programs serving students with disabilities through the arts,” McLeese says. When Access did open a gallery, it was initially located at 2256 Larimer Street; in 2005, McLeese jumped at the chance to move operations to Denver’s largest arts district and set up shop at 909 Santa Fe Drive. In recent years, Access has expanded around ADSF, keeping the gallery as its public-facing headquarters, but opening more spaces for art- ists to work in: a digital lab across the street from the gallery and a studio at Tenth and Navajo streets. Access Gallery will celebrate its twenty-year anniversary in ADSF with a party on November 21 — but fi rst, the nonprofi t has to get through 99 Pieces of Art on the Wall, its only fundraising event for the year, which it has been putting on for about as long as the gallery on Santa Fe Drive has been open. It’s a popular event, with people often lining up around the corner for a chance to secure a piece of art for $99 and enjoy food and drinks. This year, 99 Pieces of Art is on Fri- day, September 19. Admission is $9.99, and it’s a “pizza and beer event, not a high-end, black-tie, rubber-chicken event,” McLeese says. About 30 percent of the art for sale is cre- ated by artists with disabilities, and the rest by people who are connected to the gallery in some way — people who visit often, teach at the gallery or work there. The event usually raises about $25,000, according to McLeese. Otherwise, the gallery is funded by grants from organizations like SCFD, Bonfi ls-Stanton Foundation and Rocky Mountain Human Ser- vices, as well as regular art sales. “Affordable and accessible art is our mantra. We don’t want people to come in here and see a piece of work, and it’s $20,000,” McLeese says. “Our artists are very prolifi c; a lot of them are emerging.” Access is also affi liated with groups like Creative Growth Art Center in the Bay Area and Proj- ect Onward and Arts of Life in Chicago. “Our studio program is de- signed for artists with disabilities to come in. We provide the space, all the materials, all the supplies, mentorship, but they’re really here to explore their own creative outlet and passion,” McLeese says, add- ing that some local artists have been working with Access Gallery for nearly twenty years. Artists are connected with re- sources and classes for the mediums in which they are interested and make art in the studio or at the digital lab, which they can then sell at the gallery. Many of the artists also work on commissions. Pieces sold at the gallery earn the artists a 50 percent commission, and they often make an hourly rate or a percentage of the contract for public art commissions, McLeese says. Over the last ten years, helping the artists make money through their art has been a big focus for Access. “We stopped focusing on just process, creation and classes, and started focusing on how to get money into the pock- ets of the artists that we support,” McLeese says. “That was a real turning point for us. We’re very much about every individual coming up with their own creative practice and what’s interesting to them, but then we help them refi ne that and get them to the point where it is a sellable product, whether it’s a T-shirt, a painting or a sculpture.” For many disabled artists, the fi rst bar- rier to entering the art world is the gallery system. “We have artists who are non-verbal. We have people who don’t speak. Can you imagine an artist taking their portfolio and not being able to speak to a gallery manager?” McLeese says. “It’s not that it’s bad; the system is just not set up for people who might be wired a little bit differently.” But the bigger underlying is- sue, McLeese notes, is that so- ciety doesn’t value the input of people with disabilities. “People with disabilities are unemployed at a rate of 70 to 90 percent in this country,” he says. While Access has broad pro- grams that work with artists with any kind of disabilities, it pri- marily works with artists with intellectual and developmental disabilities. “People with intel- lectual and developmental disabilities are the ones who have the hardest time getting any kind of economic gain,” McLeese says. “A lot of our artists have dual disabilities; they might have an intellectual disability and a physical disability.” Access currently serves fi fty artists, who all come to the studios to work on their art between one and four times a week. Most of them are connected with Access through a summer job program that hires between ten and fi fteen high school students with disabili- ties who are interested in a creative career and pays them an hourly wage to explore creative opportunities and career paths. “At the end of the summer, it’s inevitable that one or two of them will stay with us,” McLeese says. “We also accept community referrals.” In its twenty years in ADSF, McLeese estimates Access Gallery has put on about 200 art shows, and about 1,000 people come through the gallery each month during First Friday. “We’ve made an impact, we’ve got some staying power,” he says. “We respond to what the artists want.” In the future, McLeese’s goal is to get everything — the gallery, the digital lab and the studio — under one roof in ADSF. But he also just wants more people to come and check out the gallery. “We’ve been here for a long time. A lot of people know us, but a lot of people don’t,” McLeese concludes. “I’d like to invite people to come down and see what we’re up to. Our work is affordable and accessible; everyone here is very approachable. I think that’s also an opportunity for the gallery to teach people what they’re buying. Sometimes we sell art to people, and it’s their fi rst piece of work they’ve ever bought, and we take pride in that.” 99 Pieces of Art on the Wall runs from 6 to 9 p.m. Friday, September 19, at Access Gallery, 909 Santa Fe Drive. Learn more at accessgal- lery.org. CULTURE KEEP UP ON DENVER ARTS AND CULTURE AT WESTWORD.COM/ARTS Access Gallery executive director Damon McLeese stands outside the gallery in the Art District on Santa Fe. KRISTEN FIORE Artwork and T-shirts for sale at Access Gallery. KRISTEN FIORE
