FIND MORE MUSIC COVERAGE AT WESTWORD.COM/MUSIC MUSIC King of Venues RED ROCKS IS ONE OF THE WORLD’S MOST FAMOUS VENUES, BUT NOT EVERYONE KNOWS THESE FACTS. BY TEAGUE BOHLEN Red Rocks Amphitheatre is a must-see for visitors and a rite of passage for both natives and transplants. It’s part of the fabric of our statewide community — and yet there are still things most folks don’t know about it. Here are a dozen facts for you to share next time you’re in line for a vodka lemonade on those storied, ruddy Colorado steps: The Utes Were There First For centuries leading up to the American expansion in the mid-nineteenth century, Red Rocks was a home to the Ute tribe, and evidence of their presence is all over the surrounding area. Sadly, over the many iterations of construction and development, any uncovered artifacts were deemed unim- portant at the time and subsequently lost. It’s telling that we know more about the dinosaurs that lived in the area than we do the Native Americans, who likely utilized the natural acoustics for their own ceremonies. Fossils Are Embedded in the Rocks Speaking of dinosaurs, a plesiosaur lived at Red Rocks. Or it died there, anyway, as the forty-foot fossil it left behind proves. But isn’t it nicer to envision a big ol’ long-necked aquatic dinosaur lounging back against one of the rocks? Listen- ing to Phish, no doubt. In fact, there are also fossils from the Jurassic Period — 160 million years ago — that include a Mososaurus and fl ying reptiles from that age. When Earth’s plates pushed up the Rocky Mountains more than 65 million years ago, they also erected the umber rocks we fi nd there today. The First Show Was in 1906 More than 116 years ago, the fi rst band to play the legendary venue was Pietro Sa- triano and his 25-piece brass ensemble at the grand-opening celebration. The idea to use the majestic space for music came from the former owner of Cosmopolitan magazine, John Brisben Walker, who won and lost sev- eral fortunes over his lifetime. Walker also donated a sizable amount of land in Denver to the Jesuits, who would go on to use the space to build Regis University. Its Original Name Was “Garden of the Titans” From its christening in 1906 through the mid-1920s, Red Rocks was called Garden of the Titans, almost assuredly a marketing ploy to compete with the already established Garden of the Gods in Colorado Springs. But not all of Walker’s ideas for attracting visitors were stellar: In 1912 he proposed, among other wacky plans, to carve one of the great natural formations into a full-scale replica of the Sphinx. It Was Probably Unethically (If Not Illegally) Seized In the early 1920s, the City of Den- ver was using — some say abusing — eminent domain to take over vast areas of land, probably to compete with Colorado Springs in the battle for a growing car-related tourism in- dustry. While there’s no deed of sale or record of any $50K transaction (the amount cited by most historical sources) in the Jefferson County records, there was legal maneuver- ing going on, and it’s likely that sum was paid to remunerate the owners for the condemned and commandeered parcel of land. Red Rocks: a legend now, then and always. The Amphitheater Came Courtesy of the New Deal When Denver “bought” Red Rocks in 1927, the city had plans for redevelopment, but that went south very quickly when the stock market crash of 1929 took the fi nancial winds out of American sails. It would sit unused until 1936, when Denver architect Burnham Hoyt fi nished the design for the outdoor space, modeled after the ancient Taormina in Sicily. It took fi ve years of work through both the Civilian Conservation Corps (CCC) and Works Progress Administration (both Depression-era public work relief programs under President Franklin D. Roosevelt’s recovery plan) before the venue could be put to use, and more than seven years after that for the construction to be completed. The Rocks Have Names Some of Walker’s old names for the rocks have been lost to the ages, but many remain: The Seat of Pluto is only one of several that still bear the old Roman-style titles that he bestowed on them. The main three are fairly well known: Creation Rock, Ship Rock and, of course, Stage Rock. You can still see the now-unused steps on Ship Rock if you look carefully — a path with just a metal rail that was supposed to mimic the bow of the doomed Titanic. Liability law was not a thing back in the day. First “Rock” Show? The Beatles. And get this: It didn’t sell out. It was, in fact, the only show in the Beatles’ legendary 1964 American tour that didn’t. But the August 26 concert did break the box-offi ce record for an open-air venue at that time. The experience was notable for a couple of other reasons, too: The Fab Four were the fi rst band of many to require oxygen tanks on stage because of the elevation. And the group was also the fi rst big security risk, as it received a number of death threats, and the idea of snipers atop the rocks was a serious concern. There’s the Ghost of a Hatchet Lady There are a lot of superstitions regarding Red Rocks, from phantom Ute drums in the distance to mysterious music rising from the ethereal past. But the most enduring legend is that of the Hatchet Lady, who’s usually seen naked, either on horseback or emerging from one of the small shallow caves dotting the landscape. She’s usually got a bloody hatchet (thus the name), and she appears either with or without her head, threatening visitors who in some way are not respecting the natural cathedral, in her spectral opinion. It’s her violence, or so it’s said, that colored the rocks red in the fi rst place. There’s a Tunnel With Rock Star Graffi ti It’s probably one of the worst-kept secrets of Red Rocks — that there’s a service tunnel backstage, and pop-culture famous folks from the last fi fty years-plus have taken to writing on the walls, sometimes just signing their names, other times leaving messages, even responding to the messages of the stars that came before them, marker in hand. Bans Have Plagued Red Rocks Over the Years For all the famed acts that have graced the venue over the years, there have been more than a few events that shut down business as usual, at least for a while. It began in 1964, when fans threw beer cans on the stage at a Peter, Paul and Mary show (and this wasn’t the fi rst time — they’d done the same at a 1962 Ray Charles performance). For a short time, alcohol sales were banned, until cooler (and more profi t-driven) heads prevailed. And while Aretha Franklin wasn’t a rock-and-roll artist, her fans caused a ban on all rock shows. In 1968, she refused to perform because of contract issues, causing fans to rush the stage and destroy a piano. There were no rock shows at Red Rocks throughout 1969. But the most prolonged ban came about in 1971, after a Jethro Tull show in June. The ruckus began before the band even arrived at the venue: Opening act Livingston Taylor (James Taylor’s younger brother) was get- ting booed off stage, while a large group of un-ticketed fans tried to rush the barricades. People were arrested, there were injuries, and tear gas was thrown, which continued to waft throughout the venue even while Jethro Tull put on what show it could. The result of the fracas was that there would be no rock shows allowed at Red Rocks between then and the summer of 1976. Until then, Red Rocks would only be played by the likes of John Denver and the Carpenters. Since that time, only one ban has taken place. It was because of Phish in 1996, when fans annoyed the crap out of Morrison resi- dents with rampant camping and unending partying. The band and its fans were persona non grata until 2009. Red Rocks Used to Be Up for Awards; Now One Is Named After It Red Rocks is the favorite venue of many in the music industry, creating an impossible stan- dard to meet for all other outdoor venues. The music-industry trade publication Pollstar gave Red Rocks its Best Small Outdoor Concert Venue award eleven times before deciding to just name the award after it. Other venues now vie for the Red Rocks Award, taking a respectful second behind the king of them all. Email the author at [email protected]. 21 westword.com | CONTENTS | LETTERS | NIGHT+DAY | CULTURE | CAFE | MUSIC | WESTWORD AUGUST 4-10, 2022 YOUTUBE
