Lander adds: “It was pretty daunting at first, but we learned a lot, because we were forced to. DIY there is actually possible. It seems really intimidating. You’re worried about language barriers, culture shock. Especially in Vienna, we spent a lot of time there. But we realized everyone there was willing — probably even more willing than in America — to help book a tour. They take better care of you, they give you a place to stay, they make it a priority to feed you.” “In Europe, people are excited to have you there,” Monet says. “People just show up because they read about it in the news- paper. It’s just so different.” Snailmate has also toured Japan and Brazil, collecting fans and friends at every stop. Their shared passion for travel makes this giant move more thrilling than surprising. “One of the things we said when we started this band, and we started touring pretty much immediately, was that we wanted to play everywhere,” Lander says. “Anywhere and everywhere.” The unknowns about Albanian life as a band have them just as jazzed. As they’ve been fostering friendships with peers on their travels, they hope to continue devel- oping new relationships and opportuni- ties for artists. Monet has big plans for the Tirana music scene: “I want to start a crazy synth- punk scene in Tirana, where we’re gonna be living, because I don’t think there’s any type of music like that right now, so … I’m gonna start some crazy scene there. I want to try and get all my friends to come there and play eventually, so I’ll start with the European friends, and then eventually convince American friends to come.” Moving plans “There is so much to do,” Lander says. “We just got back from tour, and we’re getting our animals ready, and I sold my van two days ago, and we’re selling his van, and our partner’s cars, and my dog needed to have emergency surgery to have his eye removed. We’re selling our house, doing all of the paperwork, getting rid of everything.” Once they get settled in, the plan is to share the process of moving to another country. They got fed up during their own research by how many people are out there charging for the information. Not wanting to gate-keep, the band plans to become a resource for others considering a similar move. Being connectors is an inherent part of Snailmate. Plenty of their songs, after all, focus on the awkwardness of just existing as humans. Tracks like “It’s Coming Back!” or “My Weird Gross Body” are universally relatable, keeping your ears ringing while taking you through life’s cringiest moments. Saying goodbye to family and friends is, of course, emotional. Lander says his mom is having a bit of a tough time with it. “She lives up in Flagstaff, and she’s defi- nitely made some comments here and there, trying to, you know, convince me to maybe think about other things,” Lander says. “My little brother, he moved — he lives in Roatán, Honduras — so both her boys are gonna be gone. But it gives her a good excuse to travel.” Their day jobs have made them fixtures in Phoenix’s music scene. Lander works at Rebel Lounge, while Monet works at Yucca Tap Room, where he’ll continue working remotely and plans to “still talk to my favorite co-worker, Aronda, every day.” They’ve built a lot of relationships here. Robbie Pfeffer of Playboy Manbaby is one person who has shared a stage with Snailmate and is supportive of the move. “I always tell people who say they wanna be in a band that if there’s anything else they wanna do in life more than being in a band, then they should do that,” Pfeffer says. “Unless it’s the thing you love most, you will find a reason to quit, because this is an insane thing to do with your time. The thing about Snailmate is they’re dedi- cated to their vision in a way that I respect so much. They’ve managed to accomplish so much in an entirely DIY manner, grow as artists and people, and never let the grind of it all get in their way. They are true dedicated artists and also manage to be cool people. It’s great to see what they’ve built all out of sheer willpower to continue.” Farewell, tacos When pressed on Monet and Lander will miss most, it’s a Phoenix no-brainer: tacos. They shouted it with enough emotion to make the Zoom camera flicker a bit. Snailmate has a song called “Hot Sauce for Blood,” and their collective passion is palpable. They also review hot sauce and are basically worshippers of the kicky red droplets. The food talk goes on a bit. Lander says he’ll definitely enjoy another visit to the original Los Dos Molinos location with family; it’s a tradition. Monet is gonna get involved with a platter at Authentic EthioAfrican Kitchen. The band is gearing up for that final — for now — show at Rebel Lounge, where they may have some fun surprises in store, including a couple new songs as well as some old ones. They’ve enlisted personal-favorite bands The Talking Hours and HoneyBunny to join the bill. Both members mention that these acts are dear friends they’ve shared stages with on tour. Lander says he can’t wait “to see the faces of our friends here as they watch these incredible bands.” The pair are ready to get settled in and start on new music for their Patreon. And amid all that needs to get done before the adventure moves to the next chapter, they’re feeling grateful. “We’re really lucky to have the love and support of our hometown and our fans and friends and family and stuff, so we feel pretty good,” Lander says. “We are going to find and build community there. We’re gonna make the world smaller.” Snailmate Farewell Show. 7 p.m. doors, 7:30 p.m. show. Thursday, Aug. 13. The Rebel Lounge, 2303 E. Indian School Road. Tickets are $26.29. Visit therebellounge.com. Partners in Slime from p 15 Bentley Monet is Snailmate’s drummer and backup vocalist. (Provided by Snailmate) Kalen Lander handles lead vocals and synth. (Provided by Snailmate) After playing stages all over the world, Snailmate is moving away from the U.S. (Provided by Snailmate)
