30 Feb 9th–Feb 15th, 2023 phoenixnewtimes.com phoenix new Times | music | cafe | film | culTuRe | NighT+Day | feaTuRe | NeWs | OPiNiON | feeDBacK | cONTeNTs | Just Press Play The best new songs from metro Phoenix musicians. BY CHRIS COPLAN I s it possible to tell how a year will unfold based on something arbitrary like its span of album releases? No, because, sadly, the world is far more complicated than just such a wondrous prospect might promise. But if you could, then 2023 would be one for the books even just a mere month into the calendar. That’s because the first few weeks of the year not only saw releases from big local names but also some rather exciting new talents. It’s just more proof that even after the last few years, local artists still have heaps to say. Okay, the remainder of 2023, let’s see if you can somehow outdo this month. ‘Disposable Everything’ AJJ AJJ have remained plenty busy with various shows and sporadic releases since 2020’s excellent Good Luck Everybody. But we’re more than grateful for the long- awaited release of their eighth studio record, Disposable Everything, due out May 26. The band’s already released a few select cuts from the 14-track effort, including the more recent title track. Long-time fans will certainly find something familiar in this earnest, politically-charged ballad about the dismal state of modern life. However, there are far greater currents of both despair and righteous fury — a dynamic that demonstrates that AJJ are sharper than ever. ‘A Plague’ Lana Del Rabies Back in October 2022, after some time away, local musician Sam An dug up the Lana Del Rabies project with a three-song covers EP. As it turns out, the “reunion” isn’t quite over, as Del Rabies is set to release a brand-new album, STREGA BEATA, on March 17. The project’s third full-length, the LP is “told through the evolving perspective of a cryptic and obscure ‘Mother’ creator figure, specifi- cally echoing the mother and crone goddess archetypes.” What that translates to, then, is tracks like “A Plague,” with discharges of harrowing darkwave that’ll have you seeking comfort (and we mean that in the best way possible). ‘Ghostgunk’ Wvelyn When we introduced you to Wvelyn back in August 2022, you may have instantly picked up on the scary vibes permeating Witch Paint. This time around, though, the cover of Gunk Box looks more akin to the face of a Trapper Keeper belonging to a deeply devoted anime fan. Just don’t let that charming face fool you too much, though, as the four-track effort remains equally unsettling and mesmerizing. Case in point: “Ghostgunk” (not to be confused with “Gourdgunk,” “Gonegunk,” and “Greasegunk”), with an ethereal beauty that will both lull listeners and have them waiting for the other shoe to drop. Enjoy. ‘The Atomic Vibration of Messier 87’ The Lightsenders When The Lightsenders dropped Derek Is an Astronaut in September 2022, they unleashed a genuine epic of sweeping ambient rock. And after just such a feat, you’d perhaps maybe expect a band to take some time off, but The Lightsenders are no such outfit as the band’s follow-up, . . . And When the Sky Was Opened, arrived in full on February 3. They previewed the eight- track effort in January with “The Atomic Vibration of Messier 87.” If the title alone didn’t merit applause, the track itself is hugely powerful — even as it’s nearing some 17 minutes. Here’s the TL;DR for those not brave enough: multi-layered rock that ebbs and flows with robust intensity and emotionality. ‘Ice Cream Dream’ The Lightsenders With last April’s “Champagne Rain,” local sonic chameleons Gnarwhal Jrz proved the multifacetedness of their core sound. But if you think the band are done pushing sonic boundaries, prepare to be shocked when you spin the brand-new The Speed of Gnar. The 16-track effort has all sorts of tinges and tweaks on surf and garage rock, from a robust ’60s influence (“Take Me Home”) to a ’70s rock vibe (“Nobody Knows”). Yet the real piece de resistance of the LP has to be “Ice Cream Dream.” At nearly seven minutes long, it’s a slow-melting slice of psychedelia that’ll have you swaying under the vast nighttime skies. ‘Upgrade (Chainsaw Man)’ Mega Ran You don’t exactly have to be Garfield to know that Mondays are utterly terrible. But what if there were a way to somehow improve that day where relaxation dies and reality sets in? Luckily, all you need to do is spin Mega Ran Mondays, a brand- new four-track EP that collects the YouTube offerings from the local MC for the month of January 2023. That includes “Upgrade (Chainsaw Man)” featuring Shwbadi (and produced by Yon L.I.) The track is quintessentially Mega Ran — which is to say, slightly nerdy, doubly ener- getic, and the sort of jam that’ll make any Monday seem like a proper Friday night. ‘Maneater’ Pleasure Cult This young-ish Phoenix band has been making minor waves over the last year or so by releasing “sad indie songs to dance and fall in love to.” As such, an album title like The Best Secret You’ll Never Keep may be more apt than ever before. Especially when you consider gems like the four-track effort’s undeniable standout, “Maneater.” A little rollicking but never any less sensuous, the track feels like the perfect encapsu- lation of how Pleasure Cult effortlessly marries lush dream pop emotions with pure indie rock sensibilities. This is surely one cult you won’t ever mind joining. ‘Make a Place for My Love’ Dad Weed Dad Weed is the main project of local musician Zach Toporek, who you may recognize as a collaborator of JPW/Jason P. Woodbury. Toporek is a skilled writer and musician in his own right, and he uses the 11 tracks that comprise High Time (pun!) to demonstrate that in spades. (So much so that we can ignore it actually dropped in mid-December 2022, right?) Here, he spins in everything from shimmery power-pop to more sturdy country-rock, forging an album that feels purposeful without being overly delib- erate. For a perfectly scrumptious sampler, just spin “Make a Place for My Love,” which blends Toporek’s big ideas and bigger influences into a poignant romance ballad for our wacky age. ‘Ketchup’ Sweetbleeders Sweetbleeders have been a regular attraction in the Phoenix music scene since the late ’90s. They were part AJJ will release Disposable Everything on May 26. Kyle Dehn ▼ Music >> p 32
