21 December 21-27, 2023 miaminewtimes.com | browardpalmbeach.com New Times | Contents | Letters | news | night+Day | Culture | Cafe | MusiC | Month XX–Month XX, 2008 miaminewtimes.com MIAMI NEW TIMES | CONTENTS | LETTERS | RIPTIDE | METRO | NIGHT+DAY | STAGE | ART | FILM | CAFE | MUSIC | After Party Art Week is over, but there’s still plenty to see at museums and galleries. BY DOUGLAS MARKOWITZ I t’s strange, but it’s true: The best time to see art in Miami is after Art Basel. Mi- ami Art Week has come and gone, and while the art fairs have all packed up and left, so have the tourists and traffic. In light of this, New Times has assembled a roundup of the best art exhibits still around after the Art Week dust has settled. Some are open for months, others until the end of the year. All spaces mentioned are open to the public unless noted otherwise. Art Museums Miami’s museums have attacked Art Week with typical enthusiasm. The Bass has been especially busy, with shows on local boy made good Hernan Bas (through May 5), Lebanese abstract painter Etel Adnan (through March 17), and installation artist Anne Duk Hee Jor- dan (through June 23), in addition to its Nam June Paik show that opened in October (through August 16). Pérez Art Museum Mi- ami opened a major retrospective of Gary Simmons (through April 28) with site-specific variations on works that weren’t included in the show’s original staging at the Museum of Contemporary Art Chicago. The Institute of Contemporary Art, Miami opened two new shows from Egyptian painter Ahmed Morsi (through April 28) and rising art world star Sasha Gordon (through March 10). In North Miami, the Museum of Contem- porary Art has shows on influential Cuban art- ist Juan Francisco Elso and Afrofuturist painter Jamea Richmond-Edwards (through March 17). Further north, in Fort Lauderdale, the NSU Art Museum’s major show of color field painting features work from Alma Thomas, Larry Poons, Sam Gilliam, and other important painters (through June 30), while another presentation spotlights little-known Chinese-American artist Walasse Ting (through March 10). There’s also a neat display of ceramics by Pablo Picasso coinciding with his death anniversary (through January 22). Nonprofit Art Spaces Miami is known for its nonprofit art spaces, and several are getting a spotlight in a show called Making Miami. Organized by law firm Jayaram and happening in the Design Dis- trict, the presentation catalogues the decade or so before the neighborhood was a luxury shopping mall, when art spaces like Locust Projects and Bas Fisher Invitational turned it into an arts destination (through December 26). Speaking of Locust, the art space’s re- cently opened location in Little Haiti has in- stallations from local Cornelius Tulloch and Mexican artist Tania Candiani (through Feb- ruary 10). Tulloch, who New Times named an artist to watch, is also curating a show at Tun- nel, a small artist-run space in Little Havana (by appointment), while a group of artists at Topcoat Studios in Little River have opened their first group show, “Que Te Vaya Bonito” (by appointment). On the Beach, Oolite Arts’ latest group show, “Bounce,” features a vari- ety of works from diverse perspectives (through January 21). Cultural Exhibitions If you missed Trina at the Hip Hop Museum Tour’s stop in Wynwood this past weekend, there’s still some culture to be found in the neighborhood courtesy of the Museum of Graffiti. Its “Art of Hip-Hop” exhibit charts the genre’s evolution over the past 50 years. Meanwhile, the Historic Hampton House is celebrating the past and future of Black excel- lence with the launch of its visual arts pro- gram. The former Green Book hotel, where Muhammad Ali, Martin Luther King Jr., and other cultural icons stayed during the Jim Crow era of segregation, opened its first art exhibit, “Gimme Shelter,” featuring a slew of iconic contemporary artists, including Mark Bradford, Henry Taylor, Nick Cave, Rashid Johnson, Howardena Pindell, and Carrie Mae Weems. There’s also a monumental sculpture from local artist Reginald O’Neal on display. (through January 22). Private Collections Miami’s privately owned collections always offer something interesting thanks to the lar- gesse of their wealthy, art-collecting owners. Probably the best from this season has been Allapattah’s El Espacio 23, owned by billion- aire developer Jorge Pérez. The show “To Weave The Sky: Textile Abstractions From the Jorge M. Pérez Collection” pairs fabric- based work with huge, impressive abstract paintings and installations. Artists featured include Lee Krasner, Frank Stella, Magdalena Abakanowicz, Daniela Libertad, Hellen Fran- kenthaler, and Sanford Biggers (through late 2024, appointment preferred). In Wynwood, the Margulies Collection at the Warehouse has refreshed the art on dis- play, anchored by a show pairing works by Robert Motherwell, Frank Stella, and George Sega (through April 27). Solo presentations for Italian artist Mimmo Paladino and photographers Helen Levitt and Danny Lyon are also on display (through April 27), and the collection has also retained its massive Anselm Kiefer installations. The Rubell Mu- seum has changed things up significantly, with its most expan- sive gallery refresh in years. The museum’s hangar-sized Gallery 23 has been taken over by artists-in-residence Basil Kincaid, known for textiles, and Alejandro Piñeiro Bello, whose massive neo-fauvist paintings are a must-see. A wild, museum-wide show on Los Angeles-based artists has also been added and works from El Anatsui, Thomas House- ago, and others join favorites from Basquiat, Keith Haring, Yayoi Kusama, Kehinde Wiley, and others (through late 2024). Art Galleries If Miami’s gallery scene seems bigger than ever, you’re not far off. A wave of local and in- ternational galleries have opened up in Alla- pattah with plenty of interesting shows on view. Local gallery KDR inaugurated its new space with a show from Alejandro Piñeiro Bello coinciding with his Rubell Museum dis- play (through January 13, by appointment), while Mindy Solomon is staging a group show, “In Spiritual Light,” headlined by Gavin Per- ry’s impressive resin abstractions (through January 6). Ukrainian expat Voloshyn Gallery has a group show, “Further Than Light and Language,” with impressively dark themes (through January 9, by appointment), while important Colombian gallery La Cometa opened its Miami location down the street from the Rubell museum with three shows from Miguel Ángel Rojas, Camilo Restrepo, and Ricardo Cárdenas (through February 10). Spinello Projects opened “Gay Era,” a se- ries of shows dedicated to queer artists at sites across Miami, including at Art Basel Miami Beach. Four of the shows are still open, one at Swampspace in the Design District, featuring fotonovela-inspired paintings by the late Ad- olfo Rene Sanchez (through January 13), and the other three at Spinello’s Allapattah main space (through January 13, by appointment). They’re sharing space with a typically sublime show by Reginald O’Neal featuring paintings of flowers and souvenir figurines (through January 13, by appointment). Beyond Allapattah, Ascaso Gallery in Omni has a great show on Jesús Rafael Soto (through February 29; open to the public), while Jupiter Contemporary in Normandy Isles is displaying paintings by George Clin- ton — yes, that George Clinton, the legendary founder of Parliament-Funkadelic (through December 31, open to the public). [email protected] ▼ Culture Rubell Museum artist-in-residence Basil Kincaid’s Courtship of Fireflies Rubell Museum photo THE RUBELL MUSEUM HAS CHANGED THINGS UP WITH ITS MOST EXPANSIVE GALLERY REFRESH IN YEARS.
