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[email protected] Hablo español a good artist, but also a decent person who could move respectfully in those spaces.” Over the years, the production landscape within dancehall underwent a noticeable shift. As the genre evolved and new technology made music creation more accessible, a new generation of producers emerged — many of them eager but still finding their sound. The influx of fresh talent brought innovation, but it also led to a temporary dip in overall quality. Some young producers shot to prominence off a single hit riddim, only to struggle to replicate that success with the same consistency or pol- ish, according to Sean at least. For artists like Sean, who came up during an era overflowing with strong riddims and seasoned engineers, the change was signifi- cant. What was once a scene rich with options and sonic variety became a more selective pro- cess. He found himself having to dig deeper, seeking out beats that not only matched his en- ergy but also carried the same level of crafts- manship that defined his earlier work. “Nowadays, it’s completely different. You can grab a beat off YouTube, record some- thing in your bedroom, and put it out the same day. There’s not that same discipline, that same grind. Social media has changed the game — now anyone can post their thoughts, drop their own content, and reach an audience instantly. Today, with AI and all the new technology, it’s a whole different world — from produc- tion to artwork. The game’s evolved in ways we never could’ve imagined.” Which brings us to an interesting discus- sion. While some artists are afraid of AI and its capabilities, completely veering away from its utilities, Sean Paul has actually begun working with it already. He sees technology not as a threat to cre- ativity, but as part of its natural evolu- tion. “Artwork is always evolving, just like the tools we use to create it,” he says. “Back in the day, someone invented the pencil, then came paint and color. Imagine those early artists saying, ‘I don’t want to use blue or yellow be- cause it’s not traditional.’ That would sound crazy, right?” To him, artificial intelligence is simply the next step in that ongoing progression. He re- calls being inspired by the 1985 A-ha video for “Take On Me,” which used hand-drawn ani- mation to blend fantasy and reality. “That was revolutionary for its time,” he says. “Now I can tell AI what I want to see, and it brings that vision to life.” When it came time to experiment with AI for his own visuals, Sean Paul ap- proached it with the same playful curiosity that’s fueled his career. His most recent video places him in a series of cinematic worlds, a mash-up of iconic scenes from Mission: Impossible, Squid Game, and Break- ing Bad. “I thought about using Goodfellas or the Godfather, but I wanted something the younger generation would recognize right away,” he explains. He admits the process isn’t perfect: “there were moments where my mouth didn’t move right,” he laughs, but for Sean Paul, the im- perfections are part of the fun. The technol- ogy allowed him to reimagine himself in scenarios that would’ve been impossible, or at least extremely expensive, to film tradi- tionally. “Even the wardrobe changes alone would’ve cost a fortune,” he says. “With AI, I could hang from a helicopter or ride a horse in a gladiator arena, all without breaking the bank.” And while some critics have accused him of embracing the very technology that could “take artists’ jobs,” Sean shrugs it off. “It’s just another artistic tool,” he says. “Some people paint on an easel, others use a microphone — it’s all art. I’m just having fun with it. At the end of the day, I’m still that guy who likes to flirt with the ladies in my songs — I just do it now with a su- perhero twist.” This year, Sean is one of the head- liners for Miami’s iii Points Festival that takes over a couple blocks in the streets of Wynwood, turning the neighborhood into the best block party you’ve ever seen. With that being said, Florida has always held a special place in Sean Paul’s life and ca- reer. To him, Miami is a stand-in for the entire state, a hub where family, friends, and music all intersect. His cousin, a paramedic and fire- man who grew up in Jamaica, came to Florida for school and eventually stayed in Pompano Beach. For Sean Paul, these connections, along with the city’s vibrant culture, made Florida feel like a second home. “Oh man, I’ve got so many friends in Flor- ida. Growing up, to me, Miami was basically the whole state, we just called it Miami,” he says. “I’ve always had a great time there. There’s so much to do: the music, the clubs, going out, different restaurants… and, of course, studio time.” Over the years, Miami has also been a cre- ative hub for the artist. He’s collaborated with Latin stars like J Balvin and Anitta, recording multiple tracks in the city. “Florida holds a lot of good memories for me. I consider it one of my second homes. I’m looking forward to coming back in October and just enjoying life there again,” Sean adds, reflecting on the enduring connection be- tween the island, the state, and his music. Being the trailblazer in sound that he has always been, Sean’s love for music is rooted in the diverse sounds he grew up with, from the Beatles and Cat Stevens to Bob Marley and James Brown. “All of those genres, I think I’ve blended into my own music over the years,” he says. For him, music is more than enter- tainment; it’s a legacy. “I don’t want to leave any potholes on the road. When it’s my turn, I want the highway to be clean and smooth for the next artist.” Even after decades in the spotlight, he re- mains driven by the same joy that inspired him as a kid. “Even if I didn’t have any of that, I’d still be the kid singing in the bathtub while everyone yells, ‘Shut up, bro!’ That’s who I am at the core, and that’s what drives me.” Sean Paul at III Points. Friday, October 17 at Mana Wynwood, 2217 NW Fifth Ave., Mi- ami; iiipoints.com. Tickets cost $139 to $309 via iiipoints.frontgatetickets.com.
[email protected] 1/2H Points Man from p12 “FLORIDA HOLDS A LOT OF GOOD MEMORIES FOR ME. I CONSIDER IT ONE OF MY SECOND HOMES.”
Miami 10-16-2025
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