▼ Music Pretty Hate Machine Machine Gun Kelly continues to succeed despite ill will. BY DINNIAH BARTHOLOMEW T he thing that makes rapper- turned-pop-punk-rocker Machine Gun Kelly so in- teresting is that by the in- ternet’s standards, he’s as popular as he is unlikable. The Cleveland native has had many highs in his career, spanning multiple movie roles, Billboard hits, and televi- sion appearances. But in spite of his up- ward trajectory, the internet seems to take pleasure in bashing MGK. It’s im- possible to ignore the rocker’s star power, but the attention has highlighted how polarizing he appears to be. As Mi- ami prepares to welcome the “My Ex’s Best Friend” singer to FTX Arena on June 15, there’s no better time to analyze why his public perception doesn’t match his success. Machine Gun Kelly (AKA Colton Baker) started his music career in 2007, quickly attracting attention with an appearance on MTV2’s Sucker Free Freestyle, where he performed numer- ous verses from his single “Chip Off the Old Block.” He released four mix- tapes and built a fan base, especially in the Cleveland area. In 2010, he re- leased the single “Alice in Wonder- land” and accompanying music video via Block Starz Music. The rapper’s debut single earned him a “Best Mid- west Artist” at the 2010 Underground Music Awards, and the clip won “Best Music Video” at the 2010 Ohio Hip Hop Awards. In March 2011, while performing at South by Southwest, the rapper got his big break when he was approached by Sean “Diddy” Combs. The Bad Boy Re- cords head offered Baker a chance at a recording contract with the label. In a since-deleted Instagram post, Diddy re- flected on what drew him to MGK: “When I first signed @machinegunkelly I knew he was going to be a star. I didn’t know how exactly we would get there but I knew it would happen.” In 2012, MGK released his debut al- bum, Lace Up, which peaked at number four on the Billboard 200 chart and in- cluded the hit single “Wild Boy,” featur- ing Waka Flocka Flame. He achieved moderate success with his follow-ups, General Admission and Bloom. So, where did the rapper go wrong? For most fans, the beginning of the end Photo by Mark Seliger Machine Gun Kelly is the internet’s favorite punching bag. started with Eminem. In 2012, MGK tweeted about the rapper’s then-16-year-old daughter, Hailie. “I have to say, she is hot as fuck, in the 14 14 most respectful way possible cuz Em is king,” he tweeted. (Kelly was 22 at the time.) It would take six years, but Eminem finally responded to the predatory tweet in “Not Alike,” released on his 2018 album Kamikaze: “I’m talkin’ to you, but you already know who the fuck you are, Kelly/I don’t use sublims and sure as fuck don’t sneak-diss/But keep com- menting on my daughter Hailie.” In an interview with Sway Calloway, Emi- nem explained his side of the feud. While men- tioning his underage daughter upset him, he had deeper reasons for calling out MGK years after the fact. “The reason I dissed him is actu- ally a lot more petty than that,” he told Callo- way. “The reason that I dissed him is because he got on — first he said, ‘I’m the greatest rap- per alive since my favorite rapper banned me from Shade 45,’ or whatever he said, right? Like I’m trying to hinder his career. I don’t give a fuck about your career. You think I actually fucking think about you? You know how many fucking rappers are better than you? You’re not even in the fucking conversation.” The media frenzy surrounding the feud affected how fans saw MGK. The 32-year-old would come out with his response titled “Rap Devil,” but its lyr- ics fell flat compared to the vitriol Eminem so effortlessly aimed at Baker. In the eyes of the public, “Rap Devil’ was subpar at best, making Eminem the unofficial winner of this rap beef. Then, in 2020, the rapper-turned- MGK IS NOT THE FIRST ARTIST TO SWITCH GENRES, AND HE WON’T BE THE LAST. singer released his pop-punk album, Tickets to My Downfall — and the internet had a field day. Though it was one of his best- selling albums, listeners felt Baker was being inauthentic. The angsty new sound and image felt like a bad attempt at rebranding. Along with legions of disappointed pop-punk fans, the album apparently caught the ear of Slipknot singer Corey Taylor. During an interview on the pod- cast Rock This With Allison Hagendorf, Taylor subtly took shots at MGK. “I hate all new rock for the most part. I [hate] the artists who failed in one genre and decided to go rock — and I think he knows who he is. But that’s another story.” Kelly used his performance at the 2021 Riot Fest in Chicago to address the criticism. According to Loudwire, fol- lowing a performance of the song “Jaw- breaker,” he went on a minor rant. “Hey, you wanna know what I’m really happy that I’m not doing? Being 50 years old wearing a fuckin’ weird mask on a fuck- ing stage, talkin’ shit,” he told the crowd. “So anyway, what’s everyone’s favorite candy? Reese’s Pieces?” Slipknot fans tore him apart. It be- came a growing consensus that if you cannot respect one of the biggest names in rock music, how could you feel so en- titled to be a part of it? MGK is not the first artist to switch genres, and he won’t be the last. Still, de- spite his having performed at Warped Tour and his flirtations with pop-punk, fans are having a tough time accepting that he didn’t change genres in order to escape Emi- nem’s shadow. Machine Gun Kelly. With Blackbear and Iann Diorr. 7:30 p.m. Wednesday, June 15, at FTX Arena, 601 Biscayne Blvd., Miami; 786-777- 1000; ftxarena.com. Tickets cost $24.75 to $124.75 via ticketmaster.com. [email protected] MONTH XX–MONTH XX, 2008 JUNE 9-JUNE 15, 2022 NEW TIMES | MUSIC | CAFE | CULTURE | NIGHT+DAY | NEWS | LETTERS | CONTENTS | MIAMI NEW TIMES | MUSIC | CAFE | FILM | ART | STAGE | NIGHT+DAY | METRO | RIPTIDE | LETTERS | CONTENTS |miaminewtimes.com | browardpalmbeach.com miaminewtimes.com
